Mark Harrington
ReviewerCity attorney by day, Friday Film Review critic by night.
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“Oppenheimer,” Director Christopher Nolan’s half of the "Barbenheimer" phenomenon, a social media campaign which urges audiences to see the heavy-hitting science biopic with the lighter “Barbie” as a double feature.
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This week’s Friday Film Review looks at “The Flash," DC Studio’s great hope for carving out a slice of the superhero multiverse pie, which continues to be dominated by Marvel Studios.
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This week’s Friday Film Review reviews the final mission of the “Guardians of the Galaxy” as Star-Lord Peter Quill attempts to rescue one of his own and save creatures big and small from a catastrophic evolutionary displacement.
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The new film “Air,” tells the story about how Nike courted basketball legend Michael Jordan to ink the Air Jordan sneaker endorsement deal before Jordan even played his first NBA game.
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Get the low down on whether Director Elizabeth Banks can make a horror comedy film out of the wild true story of a bear who eats cocaine dropped into a forest by drug smugglers.
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For his opening night Sundance mini-film review, Mark Harrington explains while some critics may be technically critical of the new Indigo Girls doc “It’s Only Life After All,” he has no such reservations and calls it an early audience award frontrunner.
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An eerie reference from a poem by Edgar Allan Poe translates to the big screen gothic murder mystery, “The Pale Blue Eye.”
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This week’s Friday Film Review delivers a holiday double feature. “Violent Night” is naughty and “The Guardians of the Galaxy Holiday Special” is nice.
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Can a stellar performance by Cate Blanchett as a music conductor win over audiences despite the painstakingly slow character study by Director Todd Field?
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The film "Confess, Fletch" marks the return of the 1985 comedic character iconically personified by Chevy Chase.